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walking a line 2015

walking a line
7th March - 4th April 2015

The re-establishment of an artistic maverick. A rich and diverse body of work ranging from surrealist abstraction through sweeping land and seascapes, still life and book illustration, Eric Ritchie’s art embraces Paul Klee’s maxim about taking a line for a walk.


Exhibition Images

(click on thumbnails to view - please check with gallery on availability of work)

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Eric Ritchie

Eric Ritchie graduated from Edinburgh College of Art in the mid 1950s, a prize-winning student who went on to travel and exhibit in Edinburgh and London. He famously collaborated with Leonard Rosoman, the noted war artist and illustrator, on the sell-out Diaghilev exhibition. This landmark exhibition of the life and work of ballet legend Diaghilev and the Ballet Russes was first shown at the Edinburgh Festival and later transferred to London where it drew massive crowds and earned great critical acclaim and led to Eric rubbing shoulders with and gaining a following from many distinguished film and theatrical luminaries.

“During his course, he has won every Scholarship in turn, finishing, in 1956, with an Andrew Grant Major Travelling Scholarship. He studied in France and Italy and the exhibition of his work done on this scholarship was quite outstanding. I regard Eric Ritchie as a very promising painter . . .“ W.G. Gillies, Head, School of Drawing and Painting, Edinburgh College of Art, 1960

Much has been written of this effervescent octogenarian and his influences – Miro, Klee, Ernst, Picasso and indeed Rosoman. His stunning portraiture, murals and representative work. His love of Orkney and of the fishing industry. The wry humour in his caricature work.

“In the end, however, it is the actual arrangement of forms that means most, the balancing of curving, touching, pointing elements, the way he creates a ballet with the bits of pieces of his ideas. “ Edward Gage, The Scotsman, 1981

In 2015, we presented a first solo exhibition of Eric since 1980. A great success and a rejuvenator, there has been no sign of any relaxation in either public interest or in his own energy for his art.

“He is one of those rare ... Read More